Our theme for this week was relationships with
strangers. We read Gabriel Garcia
Marquez’s “A Very Old Man with Enormous Wings” and David Sedaris’ “Jesus Shaves.” The narrators of these two stories both treat
the strangers they meet very differently.
In Marquez’s “A Very Old Man with Enormous Wings,” the people living in
the town treat the winged man very badly.
They throw old food scraps and fruit peels at him and someone even pokes
him with a hot brand. The people in this
story do not seem to care very much that this man may be an angel or a person
that they should respect. Instead, they
treat him like an animal or a piece of property. In Sedaris’ “Jesus Shaves,” however, the
narrator interacts peacefully with the strangers he meets in his French
class. The students in the class have
many different ideas and traditions from one another, but they are not cruel to
each other about it. Instead, they just
disagree civilly and must accept that their traditions and culture may seem
very strange to some people from other backgrounds. Despite how different these stories are, I really
enjoyed reading both of them and learning more about how and why some people
act the way they do around strangers.
Sunday, March 1, 2015
Sunday, February 22, 2015
Familial Relationships in Literature
Our readings in class this week all shared the theme of
familial relationships. We read Jimmy
Santiago Baca’s “Green Chile,” Jhumpa Lahiri’s “Interpreter of Maladies,” and
Seamus Heaney’s “Digging.” All three of
these works focused on the relationships between family members. In “Green Chile” we read about the narrator’s
relationship with his grandmother and how they use green chile to uphold cultural
and familial traditions, in “Interpreter of Maladies” we read about how secrets
can tear a family apart, and in “Digging” we read about how a person can still
be a part of family traditions and values even if they choose a different way
of life. The families in each of these
stories are all very different. In “Green
Chile,” the narrator cares deeply for his family’s traditions and even
sacrifices his own preference for red chile to be a part of his grandmother’s
love of green chile. The narrator of “Digging”
still follows his family’s tradition of digging, but chooses to dig with a pen
instead of a shovel. The Das family from
“Interpreter of Maladies” completely leaves behind their Indian heritage and traditions
in order to talk, act, and dress like typical American tourists. In their own way, the families in each of
these works have to decide for themselves if and how they will participate in
the traditions of their parents and grandparents.
Sunday, February 15, 2015
War Stories
Our theme this week was stories about war. We read Alfred, Lord Tennyson’s “The Charge
of the Light Brigade,” Wilfred Owen’s “Disabled” and “Dulce et Decorum Est,”
Marjane Satrapi’s “The Shabbat,” and Tim O’Brien’s “How to Tell a True War
Story.” All of these stories were
closely related to the theme of this week’s readings. I thought it was very interesting how reading
Tim O’Brien’s “How to Tell a True War Story” changed my perspective on the
other stories we had read earlier in the week.
“How to Tell a True War Story” talks about the realities of war. It says that true war stories do not have a
moral or lesson to learn. True war
stories have no real ending. According
to this idea of a true war story, I believe that all of the stories that we
read in class this week would fit the description of a true war story. These stories seemed to show the reader only
a small piece of an event or a person’s life. Even after
one finishes reading the story, it is easy to imagine that event or existence continuing
on for many years to come. These stories
also had no lesson for the reader to learn.
They simply showed the harsh realities of war and its aftermath.
Sunday, February 8, 2015
"My Last Duchess"
During this week, we read Edgar Allan Poe’s “The Cask of
Amontillado” and “The Raven,” Robert Browning’s “My Last Duchess,” and
Charlotte Perkins Gilman’s “The Yellow Wallpaper.” These stories and poems are all excellent
examples of relationships that are plagued by insanity. My favorite of these works, however, was
probably Robert Browning’s poem “My Last Duchess.” I really enjoyed how Browning gave the reader
little clues throughout the poem that eventually led to a shocking realization
at the poem’s end. This is seen as the
narrator says that his last Duchess was “… painted on the wall, looking as if
she were alive” and that he “… gave commands; then all smiles stopped together.” Browning also uses these details to help the
reader to understand the narrator’s character.
The narrator is a very controlling man.
He says that his wife “smiled, no doubt, whene’er I passed her; but who
passed without much the same smile?” and that as his wife rode “round the
terrace-all and each would draw from her alike the approving speech, or blush,
at least.” In the end, he killed his
wife because she did not follow his commands.
He saw her as a possession and referred to her in the poem as a piece of
art or some inconsequential object.
Sunday, February 1, 2015
"Daddy"
Sylvia Plath’s “Daddy” was a very interesting poem to
read. Initially, I was confused by this
poem and was unsure of what it meant. After
my first reading, I was also very unsure of what the narrator’s feelings toward
his/her father were. The narrator seemed
to alternate between hating his/her father and fondly remembering him. After multiple readings and listening to the
author read the poem out loud, however, I was finally able to gain a better
grasp on what the real meaning behind this poem is.
Sunday, January 25, 2015
Shakespeare's Sonnet 130
Shakespeare’s
Sonnet 130 has been one of my favorite poems of his for a very long time. I really enjoy how he uses the poem to poke
fun at the ideas and phrases commonly used in other works of poetry during this
time. In the first ten lines of the
poem, the narrator seems to be almost insulting and looking down upon the woman
that he is speaking about. In the last
two lines of the poem, however, we are able to understand what the true meaning
of this poem actually is and that the speaker really does love this woman quite
a bit. He just does not like the ridiculous
ideas of beauty that have been presented to and about women in many other poems
during this time. The ideas behind this
poem are also very relevant in our society today. The ideal of beauty that is presented in today’s
movies, magazines, and other media is very similar to what is described in this
poem. These unrealistic ideas affect our
perception of what is beautiful in today’s society in much the same way that
the ideas used in these poems affected the perception of what was beautiful during
Shakespeare’s time.
Sunday, January 18, 2015
"The Prophet's Hair"
This story was written by Salman Rushdie. It takes place in India in the early 1900s
and mainly focuses on events surrounding one family after the father, Hashim,
finds a hair from the prophet Muhammad at the bottom of a river. Possession of this hair soon leads to a chain
of disastrous events for Hashim and his family.
I thought this story was very interesting. I enjoyed how the story was set up so that we
knew Huma was looking for a thief before we knew why she was doing this. This technique helped to intrigue me at the beginning
of the story so that I was more interested and excited to read the rest of
it. I also enjoyed reading about the
different characters in the story and why they did the things that they
did. I was very interested in the fact
that the thief broke the legs of all of his sons so that they would be able to
make more money begging.
After finishing this story, I believe that it had a good
moral of honesty. Hashim was not honest
in keeping the prophet’s hair for himself and, therefore, brought destruction
upon his family. The thief was not
honest in breaking the legs of his sons so that they would be able to make more
money and brought about his own death as well as the healing of his sons.
Overall, I really enjoyed reading this story and talking
about it in class. I am looking forward
to reading other similar works in the future.
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